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Carpiniana: A Virtual Representation of the Byzantine Crypt of Santa Cristina2002 - Carpignano Salentino, Italy In 2002, the SIBA Coordination at the A photogrammetric technique was used for the outside (i.e. main and secondary entrances located above the Crypt) while a commercial laser range scanner was used to provide plain (shape only) clouds of 3D points for the interior of the Crypt itself (located underground). Texture was acquired with a high-resolution 6 mega-pixel digital camera. The 2D digital photographs were not only used to produce 3D textured models but also to perform geometric measurements. Proper camera calibration and bundle adjustment algorithms combine in digital photogrammetry to give accurate feature coordinates and reliable pose estimations [Beraldin VSMM 2002 and Beraldin SPIE 2003]. Figure 1: 3D models of the Crypt of Santa Cristina in Carpignano, Italy An accurate 3D site model contains a wealth of information that can be analyzed and enhanced. Features, such as tool marks or surface texture that are small or only visible from a distance can be interactively examined, thus, allowing the study of fine details. To compliment or help plan physical restoration of the site, “virtual restoration” can be applied directly to the digital copy. For example, faded images can be enhanced (Figure 2) and architectural elements that have been added over the years can be removed. To do, so however, it is important to create a geometrically correct, visually realistic, and highly detailed 3D model. Figure 2: Example of a simple virtual restoration of an inscription, (a) current state of some of the inscription, (b) enhanced version with some modifications to the texture image that is re-mapped by simply reloading the 3D model in the viewer. The work on the Byzantine Crypt "Carpiniana" won the e-science award in |
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