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Speech

Crime, Competition and Culture

Notes for an address by

Charles Dalfen

Chairman, Canadian Radio-television
and Telecommunications Commission

to the International Institute of Communications
Canadian Chapter

Ottawa, Ontario
November 27, 2002

(CHECK AGAINST DELIVERY)


I'm very glad to be here to address the IIC, an organization in which Canadians play such a significant role. This annual exchange of views is an important event for us in communications, and I'd like to extend my thanks to the sponsors who make it possible.

From time to time, as Chairman of the CRTC, I make various public announcements that are not always met with unanimous approval. However, I believe that the announcement that I have to make tonight will be very widely welcomed.

Today is Hon. Sheila Copps's birthday. Happy birthday, Sheila!

I think I speak for everybody here in offering you our very warmest congratulations and good wishes, and our gratitude for your great commitment and service to Canada. It is, of course, an Ottawa tradition that the birthday of the Minister of Canadian Heritage marks the official beginning of the holiday season.

Crime

For our industry, however, the holiday season brings some hard questions. Many Canadians will go shopping for home entertainment systems. But how will they go shopping for the rich variety of broadcast programming that is available to them in this country?

Will they buy it? Or will they steal it? A lot of them, unfortunately, are stealing it.

According to some estimates, up to 700,000 Canadians get satellite TV signals illegally, with 75 to 80% of them using black-market methods. They hack into the signal of a legitimate satellite service by buying an illegal card from a black-market operator, or by using illegal do-it-yourself techniques.

The remainder are customers of grey-market operators, who set them up with a fraudulent U.S. address that allows them to subscribe to an American satellite service.They pay for this service, but by decoding these signals in Canada they violate Canadian law. They also deprive the Canadian broadcasting system of the revenues that it requires to be healthy and productive.

So black market or grey market, this is theft. Signal theft.

We are facing a nationwide epidemic of electronic shoplifting.

Now, many of the people who are doing this do not seem to be aware that they're doing anything illegal.

What's wrong with it? they ask.

Well, let's review what's wrong with it.

First of all, there is a cultural cost to the country.

Canadian programming is supported by the revenues of the broadcasting system.

Indeed there are also specific formulas that tie programming to revenue. One is the three to five percent of cable and satellite broadcasting revenue that goes to the Canadian Television Fund, which provides key financing for distinctively Canadian productions.

Another formula specifies that almost 40% of the specialty services revenue must be spent on Canadian programming.

So, if I get my TV shows illegally, the legitimate providers lose my monthly subscription fees. They also lose me from their audience numbers which support their advertising rates.

So multiply that viewer by hundreds of thousands and you can see the crippling effect on Canadian programming that's caused by cheating the system.

What you won't see is the programs that don't get made.

The second thing that's wrong is that there is an economic cost to the country.

The Coalition Against Satellite Signal Theft has estimated the loss to the Canadian broadcasting system at 400 million dollars a year. When revenues are bled away from the licensed cable and satellite providers, jobs are lost all the way up the distribution and production chain. Administrative jobs, creative jobs, technical jobs.

Signal theft costs us in the vital area where we most need to prosper.

Third: Signal theft steals the rights of intellectual property holders.

You will be discussing intellectual property issues in the first panel tomorrow morning.

Tonight I'll confine myself to the issue of stealing it.

Parliament created three pillars of intellectual property rights: the Copyright Act, the Radiocommunication Act and the Broadcasting Act.

These three proclaim and protect the right of creators, and those authorized by them, to control the use of their works, and to receive payment for it.

Isn't it this very protection of intellectual property that gives creators the practical incentive to devote their labours to invention, creativity and communication?

Signal theft violates that protection.

So what can be done about it?

In April the Supreme Court of Canada delivered a landmark decision in Bell ExpressVu v. Rex.

It ruled clearly that any unauthorized decoding of encrypted signals in Canada was a violation of the Radiocommunication Act.

And that's any encrypted signals, whether they originate in Canada or elsewhere.

In my view, the Court's decision makes it clear that signal theft undermines the broadcasting system and frustrates its goals, and is not to be tolerated.

Two weeks ago, we got the welcome news from Winnipeg that for the first time since the Supreme Court issued its decision, a company in Canada had been shut down by the RCMP on charges of selling satellite decryption equipment.

A week ago they raided a company in Montreal for the same alleged violations. And we are confident others will follow.

There have also been some encouraging initiatives from within the television industry.

Four major players have launched a 100-million-dollar lawsuit against dealers in three provinces for allegedly selling decrypting equipment.

The Coalition Against Satellite Signal Theft has launched a public-awareness campaign warning that the practice is illegal.

We at the CRTC have asked major distributors to detail the steps they've taken to ensure that all the viewers who receive their signals are in fact paying for them.

We also call on direct-to-home services to ensure that the distributors of the satellite equipment needed to access these services keep tight control over their inventory so that it does not fall into the hands of violators.

We will take whatever actions we can and we'll continue to do our part in raising awareness.

What is needed now is a concerted effort by all players in the industry, all enforcement agencies and all branches of government to see that the law is enforced and intellectual property protected.

To this end, I will be asking key industry players in the distribution business to meet with me at CRTC headquarters, in the coming weeks to review the situation and explore potential courses of action.

Competition

The second panel tomorrow also tackles a very timely and important subject: "Challenges and Opportunities Facing Infrastructure Providers."

For us, a key challenge and opportunity is competition.

We're proud of the Commission's role in introducing competition into all areas of communications - a process that began in the late seventies.

In telecommunications, Canada is a world leader in providing widespread services of high quality at comparatively low prices.

In fact, our telecom rates and our Internet access rates are among the lowest in the world.

2.1 million Canadians are broadband subscribers.

This is the second-highest penetration in the world, and it grows directly out of the competitive frameworks that we as Canadians have put in place, which favour a rapid cycle of innovation.

In the wireless market we have vigorous competition and the lowest prices in the world.

But in wireline, the competitive situation is very different.

Competition in local telephone service, and particularly residential, continues to be minimal.

Our preliminary figures show competitors' share of lines as just under 4%, although we were taken to task by one incumbent who insisted it was just over 4%.

But whether it's 4% or 5% or 10%, it is still far below the level necessary for the public to reap the benefits of competition; and too low to alleviate a growing concern about the re-emergence of the dreaded monster of monopolization.

We had hoped that alternative technologies and providers might make their way into the local residential market - using coaxial cable, either circuit-switched or Internet Protocol; wireless or other technologies, to challenge wireline for the customer's primary phone.

There has, in fact, been some headway made by competitive providers such as Call-Net and EastLink in certain parts of the country.

There is also an incipient trend, especially among young people, to use wireless as their only phone.

But however encouraging these inroads may be, they remain very limited, even though alternative technologies have been around for a while.

In fact, 25 years ago, in a 1977 decision defining the terms under which the cable companies could attach their lines to telephone utility poles, we stated the following:

"Although the two transmission technologies - coaxial cable and copper pair - provide distinct services into the home at present, new services may develop which could be provided by either technology. In such cases, neither technology should be burdened with artificial barriers preventing their development in a fair and reasonable manner."

So what has happened since?

The one service that is now being provided via both technologies in a fully competitive manner is high-speed Internet access.

With that exception, however, coaxial cable is still used predominantly to distribute broadcasting services, and the copper pair to carry telephone messages.

In the local business market, competitors' shares are somewhat higher.

But there too, the present situation clearly does not amount to vigorous sustainable facilities-based competition that has been, and continues to be, a goal of our policies.

Just as clearly, however, regulatory policy is only one element in the evolution of a truly competitive industry.

Telecommunications carriers operate within an economic environment, and the current environment is a difficult one.

Many participants in the sector have failed, while others have restructured.

In order to succeed, competitors will require sound business judgment and effective strategies.

Investors and financial institutions are still very cautious about this sector, to say the least, and they will have to regain their confidence before they are again willing to take the necessary risks.

This is so in Canada as in practically every other country.

And yet we cannot wait for all the stars to align in a favourable pattern.

We at the Commission will continue to do what we can to foster competition and excellence of service in the environment as it is.

We are moving ahead with a number of follow-up proceedings which flow out of the Price Cap decision.

In several of these cases, we have accepted the Incumbent's evidence of lower costs and we have reacted quickly to reduce prices on an interim basis.

We are continuing with our Competitor Digital Network Access service proceeding which will address policy, tariff and technical issues concerning services and facilities of incumbents that may be made available to competitors.

In addition to dealing with these access issues, the Commission will also continue to be vigilant in dealing with anti-competitive behavior, whether in telecom, in cable, or in any other area of our jurisdiction

Culture

I saw a wonderful movie the other day. It's called Bollywood/Hollywood. And, of course, with a title like that, it could only be a Canadian movie.

It was written and directed by Deepa Mehta, and it's a very Canadian movie.

Unlike some other movies that suppress Canadian identity, it was shot in Toronto-not-pretending-to-be-Chicago.

It's a romantic musical comedy in which a South Asian sensibility meets a Western story.

Go see it.

It is not only a terrific movie. It is also a terrific if unintended commercial for Canadian cultural diversity.

It seems to me that some of the most exciting Canadian productions these days are those that draw on the new realities of our society. It may be that Canadian producers are at the leading edge of a new kind of story-telling, one that gets its energy and appeal from the vibrant mix of cultures we see around us.

These stories resonate not only here in Canada but also around the world.

Another such story is "My Big Fat Greek Wedding".

Although it isn't a Canadian production, it was written by Nia Vardalos from Winnipeg, telling a story about the community she grew up in.

She also starred in it, supported by several fine Canadian actors.

It's been a runaway success throughout North America, and it is about to become a series of six half-hour shows for CBS which will begin shooting in February.

So Canadian diversity is alive and well in film and broadcasting, not only in Canada, but internationally as well. What these two films demonstrate is that ethnic diversity is becoming increasingly mainstream. We believe there is an opportunity here for broadcasters to seize upon this phenomenon to better serve their audiences.

This is one of the reasons for which we have increased our expectations of all broadcasters to improve their reflection of Canadian reality.

I note that the demographics of the country continue to change.

It's interesting that in just 40 years, Toronto's visible minority population has grown from 3% in 1961 to over 50% today.

It's expected that by 2006 one Canadian in six will belong to a visible minority group.

And it's never been more important for people of all origins to relate to each other with mutual respect and understanding.

Tomorrow's third panel will discuss "A Model for a New International Instrument on Cultural Diversity." The issues there will be somewhat different from the diversity issues I've been talking about. The focus will be more on the ability of countries to safeguard their cultural industries and expression in the face of globalization, trade obligations, and the power of dominant cultural tastes.

The instrument would set out clear ground rules to enable Canada and other countries to maintain policies that promote their culture while respecting the rules of the international trading system and ensuring markets for cultural exports, and in addition, would recognize the legitimate role of governments to preserve and promote cultural diversity.

But these issues are closely related to those championed by the CRTC and Canadian broadcasters on the national scale.

Both are founded on the assertion that distinct cultures have a right to be respected and to be reflected in the mass media.

This conference brings together people of great expertise and experience to address some of the most important issues that face us today.

I'm honoured that you asked me to come here to start things off.

Thank you.

- 30 -

Contact: Denis Carmel,
             Tel.: (819) 997-9403, TDD: (819) 994-0423, Fax: (819) 997-4245
             e-Mail: denis.carmel@crtc.gc.ca
             Toll-free # 1-877-249-CRTC (2782)
             TDD - Toll-free # 1-877-909-2782

This document is available in alternative format upon request.

Date Modified: 2002-11-27

 
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