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Copper Thunderbird
English Theatre: All
May 22 - June 9, 2007
Let the artists speak for themselves
Peter Hinton introduces the 06-07 Season Peter Hinton on Copper Thunderbird Marie Clements (A), playwright Copper Thunderbird Marie Clements (B), playwright Copper Thunderbird Copper Thunderbird dives into the life of Canadian painter Norval Morrisseau. Inside the power-lines in which the artist boldly defines his work are the colours he experiences between his Ojibwa cosmology, his life on the street, and his spiritual and philosophical transformations to become The Father of Native Contemporary Art and a Grand Shaman. We meet Norval as he sits on his bed and dreams his entire life into existence – himself as a boy, himself as a young man, his abusive white "Auntie", his parasitic drinking buddies, his art dealer and friend, his ex-wives, his true wife, his Ojibwa painting brother, an indian saint, and many others who inhabit his world. Throughout the play, we watch as the old Norval transforms into the shamanic inner master, the young Norval transforms into the Thunderbird, and the boy Norval becomes an artist. The three natures of Norval parallel the three natures of the Holy Trinity, and just as the story attempts to reconcile the three aspects of the Christian deity: God/Man/Spirit, so Norval, throughout the journey of his life and the play, attempts to reconcile the three aspects of his own being: Indian/Artist/Shaman. In the end they are one.
"The world of Norval Morrisseau is visual and visceral;, it is about the Indian and the Artist, two sides of the same coin in an ever -changing universe. It is timely for me to ask the questions Norval demanded of himself. What was first, the Artist or the Indian? Norval dove deep in an attempt to answer the unanswerable. He has given me courage to keep going, to keep seeing, to write words that see into the dive." Marie Clements
Copper Thunderbird is a work of impressive theatrical and visual complexity. As in many of her plays, Marie is working on a canvas of historical and mythological scale that makes it almost impossible for the smaller independent theatres to consider producing the play alone, while many of the larger regional theatres are hesitant to take on such politically and artistically controversial material. When I was appointed to the English Theatre at the NAC, I immediately thought of this play, for it is exactly the kind of work that befits the forging of a new and relevant repertoire for our "national" theatre. Copper Thunderbird marks the first premiere of a First Nations work on our mainstage, and our largest aboriginal production since Tomson Highway’s Dry Lips Oughta Move to Kapuskasing in 1991.
"I go to the inner places. I go to the source. I even dare to say, I go to the house of invention where all the inventors of mankind have been." Norval Morrisseau
"People always ask if I was influenced by Picasso. No one ever asked Picasso if he was influenced by Canadian art, and yet look at his masks. Who's to say Picasso hadn't been influenced by us?" Daphne Odjig, painter
Billy Merasty in front of Norval Morriseau's Observations of the Astral World, by permission Photo: Laird Mackintosh Illustration: Lino
Artist (s) |
By Marie Clements (Galiano Island)
Directed by Peter Hinton
Dramaturg Paula Danckert
Set and Costume Design by Mary Kerr
Lighting Design by John Webber
Sound Design by Noah Drew
With
Jonathon Fisher
Margo Kane
Kevin Loring
Billy Merasty
Michelle St. John
7 actors to be announced
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House |
Theatre |
Seating Plan |
Theatre - 100k |
Ticket Information |
Single tickets $30 to $63 |
On Sale Date |
Single Tickets on sale September 5th
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Company |
An NAC English Theatre/urban ink productions (Galiano Island) coproduction |
Group Information |
Groups of 10+ receive great discounts! For more information contact grp@nac-cna.ca.
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Season |
2006-2007 |
Performance Schedule |
Time(s) |
Buy Tickets Online |
Tuesday, May 22, 2007 |
19:30 |
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Wednesday, May 23, 2007 |
19:30 |
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Thursday, May 24, 2007 |
19:30 |
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Friday, May 25, 2007 |
19:30 |
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Saturday, May 26, 2007 |
14:00 |
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Saturday, May 26, 2007 |
19:30 |
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Tuesday, May 29, 2007 |
19:30 |
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Wednesday, May 30, 2007 |
12:30 |
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Wednesday, May 30, 2007 |
19:30 |
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Thursday, May 31, 2007 |
19:30 |
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Friday, June 01, 2007 |
19:30 |
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Saturday, June 02, 2007 |
14:00 |
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Saturday, June 02, 2007 |
19:30 |
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Tuesday, June 05, 2007 |
19:30 |
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Wednesday, June 06, 2007 |
19:30 |
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Thursday, June 07, 2007 |
19:30 |
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Friday, June 08, 2007 |
19:30 |
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Saturday, June 09, 2007 |
14:00 |
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Saturday, June 09, 2007 |
19:30 |
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Box Office Information
Box Office Hours
Monday to Saturday: 10:00 to 21:00
Sundays and Holidays: When a performance is scheduled, the Box Office will open 2 hours prior to curtain until 15 minutes after the curtain time of the last performance. No service charges. Debit card and major credit cards accepted.
Live RushTM Information
What is Live Rush™?
Begun in September 2000, the National Arts Centre's Live Rush™ programme offers full-time high school, college and university students (aged 13-29) in Ottawa-Gatineau an easy way to purchase specially discounted same-day tickets to music, theatre and dance at the National Arts Centre.
Students with a valid Live Rush™ membership card may buy up to 2 tickets per performance at the discount price of only $10 per ticket. On the day of the performance, all unsold tickets for Live Rush™ -eligible performances will be made available to Live Rush™ members between 14:00 and 18:00 or 2 hours before a matinee performance. With the exception of Opera Lyra Ottawa performances (where Live Rush™ seating is in the Rear Balcony only), this includes all available seats, including the best seats in the house.
Check out liverush.ca for information on obtaining a Live Rush card.
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