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Kim Itoh + The Glorious Future, Japan's 'bad boys of Butoh', bring a daring double bill to the National Arts Centre
February 20, 2003 -
OTTAWA -- Japan's Kim Itoh + The Glorious Future perform
Dead and Alive - body on the borderline and I want
to hold you in the Theatre of the National Arts Centre on Tuesday
March 11 at 20:00. Choreographer-dancer Kim Itoh, "the bad boy of
Butoh", continues to be a theatrical, cheeky, ferociously independent
hellraiser. His manic, ironic, and occasionally disturbing fusion of
ballet, post-Butoh expressive contemporary dance, and Western theatre
is too unpredictable to categorize; his impact veers from the ghostly
to the effervescent, from edgily sarcastic to sublimely languid. Itoh
is a choreographer with a canny sense of theatre, incorporating
movement, music and lighting into a witty stage picture that is
always electrifying. Reviewers rave about his dramatic Butoh/Western
fusion and the irony that dominates the Itoh experience -- from the
company name to his manic, comically overtoned performances. Note :
there is nudity in this production
This performance by Kim Itoh + The Glorious Future is part
of the NAC's Dance Series B, which is sponsored by The New RO
Cable 6.
Kim Itoh practiced Butoh (the expressive Japanese postwar
avant-garde dance form) under Anzu Furukawa and in 1990, he started
his solo work. His past activities include solo tours in Japan and
Europe, workshops, guest performances for numerous dance companies
and projects, and collaborations with musicians and artists. In 1995,
he established his own dance company, Kim Itoh + The Glorious Future.
Based on the theme of extraordinary quality in ordinary everyday
life, the company expresses ideas with a touch of sarcasm and humour.
In 1996, Itoh won the International Choreography Award and National
Advisory Panel Award at the 5th Rencontres Chorégraphiques
Internationales de Seine-Saint-Denis for Dead and Alive ~ body on
the borderline. In 2000, Kim Itoh joined the CJ8 Canada/Japan
Dance Partnership's Canadian tour in which a piece he created, Me
and I, received rave reviews and was performed in Toronto,
Montreal, Ottawa, and Vancouver. He tours annually in Japan and
abroad.
There are currently ten The Glorious Future dancers, all of whom
have studied dance in Itoh's workshops. Although Itoh is the central
figure in creating works, the members present their ideas, and
regular practice sessions are the base of their creative activities.
Their works include Lord of Flies, Dead and Alive ~ body on
the borderline, Body Market, ANATA, rmk,
10-minutes Prince, Sally,
_Õ¡Áfai¡Á and 3SEX.
Performances in France, the U.K, Germany, Spain, and Argentina have
been received with enthusiasm.
"It's left to Kim Itoh to rescue the night. His dance
company uses wit and sarcasm to explore the exceptional in the
ordinary"
Stage Left, Melbourne Festival
" ...generated such powerful images that they lingered
persistently in the mind."
Dance Europe
Dead and Alive ~ body on the borderline
DIRECTION AND CHOREOGRAPHY Kim Itoh
MUSIC Mendelssohn, Ravel
LIGHTING DESIGN Hisashi Adachi
COSTUME DESIGN Yukiko Toda
One of Kim Itoh's most admired works was inspired by novelist
Saiichi Maruya's comment "The modern Japanese are neither alive nor
dead." Itoh uses powerful movements, punctuated by flawless timing,
to bring into focus the elusive delineation between life and death,
shape and shadow. His answer to the question 'What is a truly
living body?' is Dead and Alive ~ body on the borderline,
a quartet that contrives to be both serious and funny at the same
time, a piece that employs medical terms such as "brain death" to
explore the notion of non-functional existence.
I want to hold you
MUSIC Square Pusher, Bronski Beat, Arvo Part
COSTUME DESIGN Kyoko Domoto
Created in July 2000, I want to hold you examines
communication in human relations, focusing on those between men and
women, an inexhaustible source of inspiration. Here these are treated
with the choreographer's sense of discipline, spareness, and
irony. The embrace of absence, the atmosphere of reverie, the harried
search for the other are explored in this poignant piece. Nine
dancers, including the choreographer himself, draw us along with them
into an unending search.
Kim Itoh + The Glorious Future perform in the Theatre of the National
Arts Centre on Tuesday, March 11, 2003 at 20:30. Tickets are $37,
$34, and $27, and $19.25, $17.75 and $14.25 for students (upon
presentation of a valid student ID card). Tickets are available at
the NAC Box Office (in person) and through Ticketmaster
(with surcharges) at (613) 755-1111; Ticketmaster may also be
accessed through the NAC's website at www.nac-cna.ca.
Last-minute tickets (subject to availability) for full-time students
are $9.50 at the Live Rush Centre in the NAC Foyer after 18:00 on the
day of performance only, upon presentation of a valid 'Live
Rush' card.
Photos for all dance events can be viewed and downloaded at:
www.nac-cna.ca/media/
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Information:
Gerald Morris
Marketing and Media Relations,
NAC Dance Department
(613) 947-7000, ext. 249
gmorris@nac-cna.ca
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