Ian Wainwright retired on July 16, 2004, as Manager of the Analytical
Research Laboratory at the Canadian Conservation Institute after
32 years of public service. Ian joined CCI in July 1972 after graduating
from McGill University where he studied mathematics, physics and
art history. CCI was just starting up and was at that time located
in the National Gallery of Canada in downtown Ottawa. During Ian’s
years at CCI, he was involved in research into a wide range of art
and archaeological materials using physical and chemical methods.
Ian’s areas of interest included the application of polarizing
microscopy, X-ray spectrometry, scanning electron microscopy and
X-ray microanalysis to problems in conservation science and archaeometry
and to the scientific examination of museum objects. |
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Ian was the
senior scientist specializing in microscopy before becoming Manager
of the Analytical Research Laboratory (ARL). He has been active
in the research into the analysis, recording and conservation
of Aboriginal rock painting and petroglyph sites in Canada since
first arriving at CCI. Ian collaborated with the Ontario Ministry
of Natural Resources, Sears and Russell Consultants (Toronto architects),
and other partners to conserve the petroglyphs (Kinomagewapkong, “The Teaching Rocks”) at Petroglyphs Provincial Park,
Ontario. In response to CCI’s research and recommendations,
a protective structure was built over the petroglyph site in 1985.
Ian has written over 50 papers on a wide range of subjects including
reviews of rock art recording methods and scientific methods of
examination. Other topics include: Slatechuck Creek argillite
used by Haida carvers; the wall paintings at the Mogao and Bingling
Grottoes (Peoples’ Republic of China); the examination of
a Tsimshian stone mask from Kitkatla near the mouth of the Skeena
River; and collaborative research with the Instituto Nacional
de Antropología y Pensamiento Latinoamericano on the analysis
of rock painting sites in Argentina including the World Heritage
Site, Cueva de las Manos, in Patagonia. Ian was also the principal
author of the chapter on the artists’ pigment lead antimonate
(Naples) yellow in Volume 1 of Artists’ Pigments: A
Handbook of Their History and Characteristics published by
the National Gallery of Art (Washington, DC) in 1986. He examined,
with his ARL colleagues and others, paintings and objects by Tom
Thomson, Rembrandt, and Hobbema, among many others.
Ian was a pioneer in applying database management systems in
conservation. By 1973, he was working on developing systems for
storing conservation and analytical data for CCI. He served as
editor of the Journal of the International Institute for Conservation—Canadian
Group from 1976 to 1978 and was Manager of ARL from 1993
until July 2004. Ian has been an active supporter of Art and Archaeology
Technical Abstracts (AATA) and was a great promoter of conservation,
CCI and ARL through newsletters and journal articles, lectures
and media interviews. He also acted as a mentor to many of his
colleagues who have benefitted greatly over the years from his
vast experience. Ian was very proud of ARL’s role in serving
museums, law enforcement agencies, conservators, curators, archaeologists
and others. He always strove to maintain a very high standard
of scientific and technical excellence.
Ian can now be found on Vancouver Island, British Columbia, on
the other side of Canada from CCI, enjoying the mountains and
ocean and being closer to his two children. He is still active
in conservation science research and rock art conservation and
site management.
I would like to thank Ian very much for his immense contribution
to all his colleagues in ARL and to the field of conservation
science in general to which he has contributed greatly over the
years. We wish him all the best.
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