The Archimedes Palimpsest2 is a parchment
manuscript that contains a 10th-century copy of seven of Archimedes'
theorems underneath a 12th-century religious text.
It is believed that Archimedes, who lived from 287 to 212
BC, originally wrote his theorems on papyrus scrolls. To preserve
this knowledge, these were probably copied and recopied on
papyrus until about the 4th century AD — when parchment and
the ‘book' were adopted. From that time on they were likely
copied and recopied onto parchment. The Archimedes Palimpsest
contains the oldest known copies of any of his theorems. It
includes the only copy of the treatise on the "Method
of Mechanical Theorems" and the only copy in the original
Greek of the treatise "On Floating Bodies."
The theorems that were copied onto this manuscript in the
10th century did not survive the next millennia unscathed;
they were scraped off during the 12th century so that the
parchment could be reused. At that time the leaves of the
book were cut and turned, prayers were written on top of the
scraped-off text, and the book was rebound in a smaller format.
The resulting Euchologian (or prayer book) was an important
tome and the parchment was never scraped off and overwritten
again.
For the next 600 years the prayer book likely remained in
the Monastery of Mar Saba in the Holy Land (between Bethlehem
and the Dead Sea, in what is now Israel), in constant use
by the monks. It was removed from this monastery in the middle
of the 19th century and eventually arrived in Constantinople
(Istanbul). In 1906, Danish philologist Johan Ludwig Heiberg
discovered that it contained Archimedes' theorems and transcribed
them using a magnifying glass (although some of the text was
concealed by the binding). By 1930 the prayer book was in
a private collection in Paris, where it resided until 1998
when it was purchased by an anonymous buyer for $2 million.
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The new owner graciously agreed to have the manuscript conserved
and made available to Archimedes scholars for transcription.
But first it had to be taken apart. Responsibility for this
work and the conservation treatment was given to the Walters
Art Museum in Baltimore, MD.
A team of scientists from the Rochester Institute of Technology,
the Xerox Corporation, and the Johns Hopkins University in
Baltimore was assembled to enhance the Archimedes text, which
is very faint and difficult to see. The team is accomplishing
their task with the help of ultraviolet imaging, confocal
microscopy, and several techniques that have been used to
obtain satellite images of the earth.
During its life the palimpsest had survived a fire (as evidenced
by the charred edges of the manuscript), developed a severe
problem with mould, and been taken apart and rebound using
a modern adhesive. Its conservation treatment and disbinding
for transcription promised to be a complex process. As part
of the procedure, CCI was contracted to provide analytical
support and materials expertise.
CCI scientists travelled to Baltimore in November 2000 to
examine the palimpsest and take numerous samples of the parchment,
inks, adhesives, accretions, residues, and mould. These samples
were brought back to CCI for analysis.
To determine the state of deterioration of the parchment,
samples from healthy areas, charred and mouldy areas, and
the area of staining from the Archimedes inks were subjected
to shrinkage temperature measurements using a new video technique
to determine onset and end-point temperatures (shrinkage temperature
has been shown to correlate to the level of deterioration
of collagen fibres). Samples of 10th- and 12th-century ink
were identified mainly as iron gall, although other inks were
also found to be present. Mould samples were assessed for
viability to determine whether or not the mould posed a future
danger to the object and/or its handlers.
Various adhesives, accretions, and residues (such as silica
gel, candle wax, and a modern adhesive on the spine binding)
were identified. The presence of the modern adhesive was problematic
because it was in direct contact with the Archimedes text.
Two innovations were utilized to find a solvent system that
would remove the adhesive without damaging the parchment.
First, a new micro-swell test was devised to identify the
most effective solvent removal system for the adhesive. Second,
the solvent system was tested on micro-quantities of parchment
and shrinkage temperature measurements were taken to determine
whether or not it was dangerous to the parchment.
This project is an example of the comprehensive analysis
of a manuscript that CCI can undertake to assist conservators
in the conservation of historically important documents. As
a result of these analyses, specific identifications, assessments,
and recommendations were made and some innovative scientific
techniques were developed to assist in the conservation treatment
and disbinding of the Archimedes Palimpsest.3 This work is
not yet complete, and CCI will continue to assist the Walters
Art Museum with further analyses and advice as required.
The Archimedes text that has been newly revealed has already
provided scholars with new information about the great mathematician/physicist.
For example, a leaf containing part of the "Method of
Mechanical Theorems" indicates that Archimedes knew of
and used calculus 2000 years before Newton is credited with
its discovery.4 Who knows what other discoveries lay in store
as more text is revealed?
Further information on the Archimedes Palimpsest can be found
on the Web site of the Walters Art Museum.
- This article was prepared with the assistance of other
CCI scientists who worked on the project, including Gregory
S. Young, R. Scott Williams, Jane Sirois, Elizabeth Moffatt,
and Maureen A. MacDonald.
- A palimpsest is literally ‘a piece of parchment or other
writing material from which one text has been erased to
make room for another' (a process that could be repeated
numerous times). The practice of reusing parchment was quite
common at various times in history, and there are many palimpsests
in existence today. The Archimedes Palimpsest is valuable
because of what it contains.
- The results of these analyses are the subject of a paper
to be presented at the annual congress of the International
Institute for Conservation of Historic and Artistic Works
in Baltimore, MD, in the fall of 2002.
- Peakin, W. "The Sum of God." The Sunday
Times Magazine (June 17, 2001), London, UK.
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