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"A few things in the way of curios"
Historic Ivories at the Canadian Museum of Civilization
Maria Von Finckenstein
(continued)
Having established a firm date - the date of the cruise - does not necessarily tell
us much about their provenance. Although the cruise has been well documented, there
is tantalizingly little mention of any ivory carvings. It is frustrating for the
contemporary researcher that both men, Low as a geologist and Borden as a medical
doctor, paid very little attention to what they considered mere curios.
In the account of the expedition, entitled "The Cruise of the Neptune", A.P.
Low mentions ivory carvings in one paragraph. "The carving of walrus ivory passes
many an hour of the long winter.
As a rule the carvings are crude representations of
various animals and other animate objects, and have no high value as objects of art,
but occasionally there arises a real artist, who when encouraged will produce wonderfully
artistic models of the various animals, men, dogsleds and almost anything suggested
to him" (p.176). As we know that the Neptune wintered in Cape Fullerton - and ivory
carvings were mostly done during the long hours of winter - it seems safe to assume
that these were done by Inuit from the area around Cape Fullerton.
There is corroboration for this assumption from another source. During the winter
of 1903-04 the Neptune was stationed very close to the Era, an
American whaling ship commanded by Captain George Comer. In his diaries Comer
makes several references to Commander Low and his ship's doctor. The entry for
Thursday, April 21, 1904 reads as follows: "Commander Low and the doctor were
over. I gave them some ivory carvings to take home to friends" (Ross, 1984, p.111).
On January 20, 1904 he mentions "my chief native Harry (Teseuke) has been making some
ivory carvings for Commander Low, which he took over this evening" (Ross, 1984, p.90).
Harry, Chief of the Aivilingmiut, 1903-04
photo by A.P. Low (National
Archives of Canada PA-050919).
According to Captain Comer, his mate
Harry Teseuke made a series of ivory
carvings for Commander Low. In addition,
one of the ivory bears in Borden's
collection is signed "Harry". Ethel
Borden tells the following anecdote
about Harry and Dr. Borden: "A woman
had a sore leg, another had hemiplegia,
yet another was totally blind for years
with cataracts in both eyes. The doctor
drew a diagram and within two weeks,
Harry, an Eskimo genius, carved and
polished two ivory spuds which were
made successfully under the most primitive
conditions" (Borden 1961, 35).
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The latter passage relates directly to an entry by Borden who, in his diary of
the cruise, mentions once briefly: "Harry, native, made me a few figures from
ivory." (entry from January 12, 1904). Harry was the chief of the Aivilingmiut
and Comer's "head native." One of the carvings in Borden's collection is actually
signed "Harry".
Whether Harry incised the signature himself we will never know. In
another place Borden comments about Captain Comer: "Although peculiar in many respects,
he is a very good hearted man and altogether I have fared pretty well at his hands,
having received before some carved ivory and a few things in the way of curios"
(entry from May 17,1904). In addition there is mention in a memo from his wife,
Ethel Borden, of "carvings and artifacts received as appreciation of care of Eskimo."
So this meagre information, in total, reveals that the artifacts in Borden's collection
were partially made by "Harry," as well as by grateful patients. From A.P. Low's comments
one can deduce that he made suggestions regarding themes to Inuit whom he considered
endowed with artistic talent. The themes for the group of seven figures, engaged in
various activities related to the hunt, may have been suggested by him; these figures
are most likely by Harry, Comer's main assistant.
In style these miniatures differ from those from Labrador. They have none of the
elaborate red and black markings on parka decorations that are such a distinctive
feature of Labrador ivories from the late 19th century. They are generally
larger and there is a noticeable attempt to capture movement and gestures. They are
similar to Labrador ivories, however, in the use of some black colouring to indicate
hair and facial features. This technique carried over into early miniatures from the
contemporary period, especially in the work of artists like Sheokjuk Oqutaq and Peesee
Oshuitoq from Cape Dorset.
Franz Boas, in one comment, refers specifically to this area around Southampton Island
and the west coast of Hudson Bay: "the Aivilik and Kinipetu of Southampton Island make
a great many carvings in ivory and soapstone" (1901, p.113).
I agree with Martijn's
assumption that employment with whalers such as Captain Comer or explorers such as A.P.
Low and Dr. Borden probably led to an increase in carving in response to the demand of
the ships' crews to purchase "keepsakes", as Martijn calls them, to take home after a
successful hunt (1964, p.556).
Thus it becomes clear that Inuit, certainly from this region of the eastern Arctic, were
accustomed to producing souvenirs for an outside culture long before 1948. When Houston
travelled across the Arctic encouraging people to carve, he continued a tradition that had
started with the first contact between the Inuit and intruders into their world.
Among
the long list of explorers, whalers, missionaries, traders, scientists, anthropologists,
RCMP officers, and government officials were A.P. Low and Dr. Borden, who received the
group of carvings shown here both as gifts and as private commissions.
The next step in research would be to study the 30 ivory carvings which Captain Comer
collected between 1902 and 1910 for the American Museum of Natural History, upon the
request of Franz Boas, ethnologist at that institution.
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