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Production Post Production Design Support Services
Vancouver Toronto
Control Rooms
Studio 1 Control Room Studio 1 Control Room Studio 1 Control Room
Studio 1 Control Room Floor Plan
Studio 1 Control Room Download a PDF
Cameras / Lens
  • 3 Hitachi SKF-800
  • 2 Hitachi SKF-2600 HH
  • 1 Hitachi SKF-3as HH
  • Wired for 12 cameras total.
  • All cameras are on triax with CCU, RCP and Master Setup Unit.
  • 3 Fujinon 18x8 Studio
  • 1 Fujinon 18x8.5 EFP
  • 1 Fujinon 22x7.8 EFP
  • 1 Fujinon 14x8.5 EFP
  • Canon 9x5.2 Wide Angle lenses available on request.
  • 2 Vinton Pedestals, Vector 700 Heads
  • 1 Vinton Pedestal, Vector 70 Head
  • 3 Sachler Video 25 Tripods with wheels and above-ground spreaders
  • 30' Stanton Triangle Jimmy Jib with Dutch Roll Head.
Switcher
  • Sony DVS-8000 Digital Switcher, 2 full ME + PGM/PST Bus with DSK
Video Effects
  • Sony DME-7000 2 Channel DVE with external control surface and integrated control from switcher.  Includes most options.
  • Sony BVM-1910 Program/Preview Monitors.
  • 42 Ikegami PVM-9 B&W monitors in monitor wall.
  • Programmable under monitor displays for source description and tally.
  • Leitch Still File with Optical Backup
  • 2 Leitch Digibus Analog to Digital converters with full proc. Amp control.
  • Inscriber Character Generator
  • 32 x32 Leitch Digital Video/ 2Ch Analog Audio Routing Switcher with panels at all key positions.  Extra panels available.
  • Telescript AV prompter software  with three Q-TV tube prompter heads for studio cameras.
  • Assorted video monitors are available for use in the studio.
VTRs
  • 8 VTRs (4x DNW-A75, 4x DNW-75)
  • 2 VHS VTRs
  • 1 Quad split with time code burn-in.
Audio / Communications Production Audio Console
  • Studer D950 Digital Console
  • Fully loaded frame
  • Full automation with "flying faders"
  • 5.1 Capable
  • Console configuration is built to production requirements.
  • Ideal for live broadcasting, multi-track recording, or post-production audio sweetening.
  • Please contact us to discuss your production requirements so we can tailor the console to your needs.
Audio Monitoring
  • Near field - Genelec 1031A in surround array
  • Far field - JBL 4425
  • Auratones
  • Video Control Room - JBL 4412
  • Bryston Audio Amps used throughout.
Audio Processing
  • Eventide DSP4000B Production Ultra Harmonizer
  • Lexicon PCM91 Digital Reverb
  • Lexicon PCM81 Digital Effects Processor
  • Lexicon PCM41 Digital Delay
  • Yamaha SPX90 Digital Effects
  • t.c. Electronics Finalizer Plus
  • Avalon Vt737 Pre-Amp/Compressor/EQ
  • Focusrite3 Compressor/Limiter
  • dbx  160S Compressor/Limiter
  • Tube-Tech LCA2B Compressor
  • Manley Stereo Variable Mu Limiter/Compressor
Front of House
  • Yamaha O2R Console
  • BSS Varicurve EQ
  • BSS 16 Channel Active Split
  • CD Player
  • Eight Myers UP1A powered cabinets.
Intercom
  • McCurdy 9400 50x67 Plant Wide Matrix (Programmable) with 8 dedicated turrets in Studio.  Two IFBs normalled to studio.
  • Three channels of RF intercom.  All frequencies are compatible with each other.
  • CetecVega 2 pack system
  • Telex 4 pack system
  • Telex 4 pack system
  • Telephones at all key positions.  Additional facilities are available for a fee. (ie. 1-800, High Speed Internet, etc.)
  • Three analog phone lines in audio control room for cue circuits.
Studios Control Rooms Dressing Rooms
Video Program Delivery Standards
Graphic Design Set Design and Build
Stock Shots