Skip to main content   Symbol of the Government of Canada
 
Search
Home
News
Events
Research Themes
In Focus
Religious Diversity in Canada: Research Forum
February 2008
In Focus - Cultural Policy 101: European Perspective
Focus on Youth: Canadian Youth Arts Programming and Policy
Cultural Policy 101 Series
Arts and Youth: Canadian Youth Arts Programming and Policy
Community Arts in Rural Settings
Commentary: Community Arts in Rural Settings
Socio-economic Conditions of Visible Minorities in Canada: 1967-2017
To Save a Butterfly, Must One Kill It? The Historic Places Initiative in a Rural Context
The Arts and Heritage in Rural Communities
Sustainable Communities: Culture, Creativity and Inclusiveness
October 2005
Digital Tranformations I:
Digital Evolution and New Publishing Models
January 2007
Introduction
The Changing Nature of Book Production
Current Topic
The Book (and the Universe of Books) Transforming
Marketplace Organization
For Future Consideration
All Resources
Digital Transformations II:
Toward a New Form of Musical Culture
February 2007
The Arts and Health I: Artists on the Wards
March 2007
The Arts and Health II:
Use of the Arts in Health Professional Education
April 2007
Opportunities and Challenges in the Development of Canadian Arts and Health
Digital Transformations
Canadian Cultural Policy 101
September 2006
Cultural Policy 101: Demystifying the US Ecosystem
December 2006
Indigenous Knowledge
February 2006
Culture and Trade
April 2005
Culture and Tourism
August 2005
Rethinking Copyright
October 2004
La Francophonie
August 2004
Creative Cities
June 2004
Cities & Communities
Citizenship & Identity
Cultural Policy
Culture & Technology
Heritage & History
Industries & Disciplines
Sport & Recreation
A - Z Index
Directories
Culturescope Groups
About Us

  
    
ISBN.jpg
Table of Contents

Introduction

The Changing Nature of Book Production

The Book (and the universe of books) Transforming

Marketplace Organization

For Future Consideration

All Resources



The Changing Nature of Book Production

Technology has eased the creation of books. The writing process has been facilitated by personal computers. The arduous and demanding physical paste-up of a page layout has given way to relatively easy digital file-manipulation, where the screen visually corresponds to the printed page. This layout method is known as WYSIWYG (whizzy-wig)——“What you see is what you get. In general, WYSIWYG-based desktop publishing has achieved significant production efficiencies.

However, a technique is already in place that will eclipse the required repetition of the WYSIWYG layout process and the one-version use for each visual presentation. This new technique will transform a WYSIWYG-created page from a hand-crafted document composed of textual and non-text material, but otherwise lacking structure, to a structured document enabling a computer to decipher compositional elements such as the title, author, pull-out quotes, captions, footnotes, and headings to the same degree that human beings now can by inferring them on the basis of their visual characteristics.

Although WYSIWYG’s dynamics are currently being played out, this technology is nothing to dismiss. It has made possible direct printing from digital files and printing on demand, even of relatively high-quality images. While most printers have yet to reorganize their workplace to fully embrace print-on-demand (POD) technology, POD brings much more than instantaneousness as the following three examples demonstrate:

  • POD dramatically increases the opportunities for publishing titles with limited circulations.
  • Titles can now be kept in print without the need for major investments in reprints or warehouse space.
  • Because this form of publishing is based on digital files, it is relatively easy to recombine elements and produce customized versions of a book, an innovation of interest to educational publishers.


In the past a large print-run has been used both as a clear indicator of a publisher’s willingness to invest in a title and of policy. For example, the Canada Council uses print run data to determine grant levels. POD makes such policy counter-productive to the exposure of authors to the marketplace. Alternative indicators, such as expenditures in editorial, design, or marketing could equally be used as investment criteria.

To move beyond WYSIWYG and POD, publishers must fully embrace databases combining a) both book content and clearly tagged product information such as ISBN, author biography, review and price; b) protected but ready access to both content and product files in an industry-wide standardized format at all times and from any location; c) standards-based and computer-based business-to-business communication; and d) websites driven by the same database content.

Such technology yields a major emergent benefit: the capacity for multiple use, that is, using content more than once in a variety of template-defined formats. By naming (or tagging) each element in a database each element can then be accessed to create many structured documents composed of named elements, be they title, author, ISBN, excerpt, or author picture.

For example, on command, database derived and hence error-free information can be imported into a press release or catalogue page-template, converted “on the fly” to be displayed as desired and——voilà!——with no re-entering of content and a few design tweaks, the press release is ready. Already publishers are using such techniques for their websites. But few generate marketing materials, or, for that matter, books themselves, using this technique.

The strategic implications of databases and structured documents are several. Unlike WYSIWYG technology, such methods are neither obvious nor intuitive to a neophyte. The use of databases and on-the-fly conversions requires understanding and trust in computers and their methods of operation that can best be facilitated by additional education, training and post-training experience, beyond the general exposure publishers encounter in their everyday lives. In this regard, publishers’ familiarity with Amazon or Google initiatives, for example scanning book contents not just to make them Internet accessible but in order to identify unexpected parallels on the basis of statistically improbable phrases (SIPs), may encourage transition to this technology.

However, a major impediment to transition is a serious financial commitment to investing in emerging technology. Given the minimal retained earnings of Canada’s book publishers, long-term investments in technology and associated re-organization, even when they clearly offer cost savings, are difficult. The general adoption of new media marketing devices such as author blogs, the impact of which is more difficult to measure, is also hampered by the lack of retained earnings.

It is possible that the government could act as a catalyst to modernization by funding model projects aimed at subsequent replication between R&D; organizations and technology-keen firms. Incentives for projects that build towards database driven operations, along with new hires of technologically savvy young employees, would also stimulate needed technological and organizational development.

The Book (and the Universe of Books) Transforming

    

GROUPS

GROUPS

Username
Password
May 2008
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
1
There are event(s) on this day.
2
no event(s)
3
no event(s)
4
no event(s)
5
There are event(s) on this day.
6
no event(s)
7
There are event(s) on this day.
8
no event(s)
9
There are event(s) on this day.
10
no event(s)
11
no event(s)
12
no event(s)
13
no event(s)
14
There are event(s) on this day.
15
no event(s)
16
no event(s)
17
no event(s)
18
no event(s)
19
no event(s)
20
no event(s)
21
no event(s)
22
There are event(s) on this day.
23
no event(s)
24
no event(s)
25
no event(s)
26
no event(s)
27
no event(s)
28
There are event(s) on this day.
29
no event(s)
30
no event(s)
31
There are event(s) on this day.
Culturescope.ca is a service of the Canadian Cultural Observatory and its partners.
The Canadian Cultural Observatory and Culturescope.ca do not endorse and are not responsible for the content of external sites. Links will open in a new window.

Some of the material available in the resource collection originates with an organization not subject to the Official Languages Act and is available on this site in the language in which it was written.
GTEC Gold Medal Winner: Innovative E-Government Pilot Projects (2004)
GTEC Gold Medal Winner: Innovative E-Government Pilot Projects (2004)
ID: 12797 | Date Added: 2007-01-04 | Date Modified: 2007-09-18 Important Notices