Skip to main content   Symbol of the Government of Canada
 
Search
Home
News
Observatory Updates
Newsletters
Knowledge Centre, Department of Canadian Heritage, New Acquisition List
Observatory eNewsletter
Conference Dispatches
Events
Archives
Research Themes
In Focus
Religious Diversity in Canada: Research Forum
February 2008
In Focus - Cultural Policy 101: European Perspective
Focus on Youth: Canadian Youth Arts Programming and Policy
Cultural Policy 101 Series
Arts and Youth: Canadian Youth Arts Programming and Policy
Community Arts in Rural Settings
Nourishing the Arts in Rural Communities
The Nature of Rural Arts
Concluding Remarks
All Resources
Commentary: Community Arts in Rural Settings
Socio-economic Conditions of Visible Minorities in Canada: 1967-2017
Sustainable Communities: Culture, Creativity and Inclusiveness
October 2005
To Save a Butterfly, Must One Kill It? The Historic Places Initiative in a Rural Context
The Arts and Heritage in Rural Communities
Digital Transformations
Digital Tranformations I:
Digital Evolution and New Publishing Models
January 2007
Digital Transformations II:
Toward a New Form of Musical Culture
February 2007
The Arts and Health I: Artists on the Wards
March 2007
The Arts and Health II:
Use of the Arts in Health Professional Education
April 2007
Opportunities and Challenges in the Development of Canadian Arts and Health
Canadian Cultural Policy 101
September 2006
Cultural Policy 101: Demystifying the US Ecosystem
December 2006
Indigenous Knowledge
February 2006
Culture and Trade
April 2005
Culture and Tourism
August 2005
Three Big Questions
Current Topic
Tourism and Culture: Are They Made for Each Other?
Definitions
Cultural Tourism Strategies
Facts and Figures: Culture and Tourism In Focus
All Resources: Culture and Tourism In Focus
Rethinking Copyright
October 2004
La Francophonie
August 2004
Creative Cities
June 2004
Cities & Communities
Citizenship & Identity
Aboriginal Peoples
Indigenous Knowledge
February 2006
Food, Culture & Identity
Language
La Francophonie
August 2004
Participation
Social Cohesion
Volunteerism
Cultural Policy
Advocacy
Arts Education
Canadian Cultural Policy 101
September 2006
Cultural Policy 101: Demystifying the US Ecosystem
December 2006
Cultural Diversity & Multiculturalism
Cultural Employment Data
Cultural Value Chain
Cultural Policy Timelines
Development
Domestic Intergovernmental Relations
Equity Issues
Impacts of Culture
Indicators/Frameworks for Measurement
International & Multilateral Relations
Trade
Culture & Technology
Heritage & History
Industries & Disciplines
Aboriginal Arts
Architecture & Design
Broadcasting
Satellite Radio Decision: A Selection of Background Information
Cultural Tourism
Film & Video
Giant Screen Cinema
Media Arts
Performing Arts
Publishing
Sound Recording
Visual Arts/Crafts
Sport & Recreation
A - Z Index
Directories
Legislation & Regulation
Funding & Training Programs
HR/Management Resources for Artists and Administrators
Organizations Directory
Government Programs
Culturescope Groups
Archived Member Profiles
Benefits
Create Your Group - Step-by-step Instructions
Create Your Group Guidelines
Projects & Initiatives
About Us

Home Research Themes In Focus Culture and Tourism
August 2005

Three Big Questions

Photo: Canadian Tourism Commission
  
    
man_mask.jpg
1. How do we define cultural tourism?

2. Why is it worthwhile to develop cultural tourism strategies?

3. What links culture, tourism and sustainability?


1. How do we define cultural tourism?

Cultural tourism is a term developed to encapsulate the interaction of culture and tourism. It is defined in many different ways by a variety of national and international organizations.

A prominent definition is that which is used by the World Tourism Organization (WTO); it approaches cultural tourism from a broad, then narrow point of view. Narrowly, it includes people travelling based on mainly cultural motivations. From a broader perspective, it is associated with any travel by individuals seeking to satisfy the human need for diversity. Such travel elevates the cultural level of individuals, allowing for new knowledge, experiences and encounters. According to both definitions, a tourist becomes familiar with the unique character and characteristics of a destination and its people through the arts, culture, history and local lifestyles or all of these elements combined.

Cultural tourism, therefore, involves a contact – at varying levels of intensity – with the culture of another community, assuming the guest wants to open up to this community and the host actually wants to share his or her community.

Cultural tourism can also be perceived as a way to improve and protect the cultural resources, landscape, architecture, artistic activities, and unique character of a particular place, often described by travel writers as the “sense of place.”

Canada's new tourism brand, Canada: Keep Exploring, promoted by the Canadian Tourism Commission (CTC), is an invitation for tourists to include many cultural activities as part of their Canadian experience. This new branding is an open window on Canada’s cultural and heritage components as well as on traditional cultural products and services. It also sheds light on the contemporary lives of Canadians from the different regions of the country.

Finally, cultural tourism also includes Aboriginal tourism. A perfect example of a cultural experience based on heritage and way of life, Aboriginal tourism is also an unequalled opportunity to allow Aboriginal heritage, values, and customs from different First Nations to remain in the present. The Aboriginal tourism supply-side allows non-Aboriginals to know more about this rich culture through participatory experiences – non-Aboriginals get a chance to better grasp the extent of Aboriginal heritage from the past, and today’s reality.

Click here for part II of this Question: Tourism and Culture: Are They Made for Each Other?

Click here for more definitions.

2. Why is it worthwhile to develop cultural tourism strategies?

The added economic value of culture is a clear asset for the tourism industry. For its part, the cultural industry can greatly benefit from the promotion of its sites and activities through campaigns stemming from local, regional, and national marketing plans. These efforts foster growth, permit renewal, and above all increase attendance through carefully targeted, annual promotions.

To that end, common strategies (such as those mentioned above) could certainly serve the interests of both culture and tourism when each shares its market knowledge and customer profiles. In addition, the established travel industry networks could be used to promote and distribute the products of the cultural supply side.

When culture is seen as an expression of a public good, further benefits to integrating culture into tourism policies can be realized. The following examples can certainly increase the development opportunities for cultural products and other aspects of culture within a renewed tourism supply side made even more attractive for Canadian and foreign visitors: more heritage tours; development and renewal of the information found in interpretative centers; creation of partnerships between cultural venues and hotels (and other types of tourist accommodations) through travel packages; a new ownership of culture at the community level; the sense of belonging and the community pride stemming from the recognition of the past and the respect of the present; and the sharing of a language.

The contribution of all levels of government, in terms of financial, human and other resources, is of paramount importance. “Thinking globally and acting locally” requires that governing boards of cultural organizations be convinced of the importance of meeting the needs of their visitors, while at the same time meeting the needs of their local communities.

It is also essential to coordinate the strategies of both sectors to ensure that they are championed, not only by stakeholders, but foremost by inter-ministerial and intergovernmental organizations with a common vision of development.

The following boxes provide outlines of some interesting examples taken from the culture and tourism fields:

Canada: A Cultural Destination?

Manitoba adopts a cultural tourism strategy.

Cultural industries meet the buyers of travel products.

3. What links culture, tourism and sustainability?

Sustainable tourism is an emerging international trend that integrates the full spectrum of impacts and benefits (cultural, social, environmental and economic) into tourism development. Sustainable tourism has often been associated with, which in turn is directly associated with protecting the environment for future generations (intergenerational equity).

However, the notion of community in the definition of sustainable tourism calls directly for the placement of communities, and their cultures, at the heart of tourism development. For instance, the Department of Canadian Heritage is an important federal advocate for the social and cultural dimensions of tourism.

Intergenerational equity can be applied to cultural tourism, with the goal of preservation of cultural elements as they are integrated into the tourism sector. Also, it is necessary to consider the Canadian context of inter-cultural understanding, specifically its linguistic duality and multiculturalism, when evaluating the benefits of showcasing these characteristics through tourism.

    

GROUPS

GROUPS

Username
Password
May 2008
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
no event(s)
1
There are event(s) on this day.
2
no event(s)
3
no event(s)
4
no event(s)
5
There are event(s) on this day.
6
no event(s)
7
There are event(s) on this day.
8
no event(s)
9
There are event(s) on this day.
10
no event(s)
11
no event(s)
12
no event(s)
13
no event(s)
14
There are event(s) on this day.
15
no event(s)
16
no event(s)
17
no event(s)
18
no event(s)
19
no event(s)
20
no event(s)
21
no event(s)
22
There are event(s) on this day.
23
no event(s)
24
no event(s)
25
no event(s)
26
no event(s)
27
no event(s)
28
There are event(s) on this day.
29
no event(s)
30
no event(s)
31
There are event(s) on this day.
Culturescope.ca is a service of the Canadian Cultural Observatory and its partners.
The Canadian Cultural Observatory and Culturescope.ca do not endorse and are not responsible for the content of external sites. Links will open in a new window.

Some of the material available in the resource collection originates with an organization not subject to the Official Languages Act and is available on this site in the language in which it was written.
GTEC Gold Medal Winner: Innovative E-Government Pilot Projects (2004)
GTEC Gold Medal Winner: Innovative E-Government Pilot Projects (2004)
ID: 8252 | Date Added: 2005-08-04 | Date Modified: 2007-09-11 Important Notices