The Canadian town with the most art galleries per capital than anywhere
in Canada is not Toronto, Ottawa, or Vancouver but rather Lunenburg,
a
tiny heritage town on Nova Scotia’s South Shore.“Lunenburg inspires
a
feeling in people, it’s not something
tangible, it’s more of an experience,”
says Stuart Simpson, the owner of North Shore Canadian Art.“Artists
and galleries converge here.”
Simpson is also president of the Art Galleries Association of
Lunenburg (www.lunenburgart.com), which was formed in 2005 to
boost
the growing fine arts community. Membership is currently full, at 20
gal-
leries. “We have so much high-quality art here,” says Simpson.“That’s
why we needed to market ourselves to the world as an arts destina-
tion.” The AGAL produces a catalogue that is distributed to auctions
and
art shows across the country. A foldout and a map of the town showing
the galleries has also been created, and they have been distributed
to vis-
itor centres and tourist outlets.
“We’ve had a great response,” says Simpson, who sells nationally recog-
nized Canadian art and specializes in original paintings by William
deGarthe,
one of Nova Scotia’s best-known marine artists.“We held an art show
late
last May as a fundraiser for the town’s opera house, which is being
restored.
We had 90 works on display, and 700 people
came through in three days.
That’s not bad for a town of fewer than 2,500 people.”
Mariette Roodenburg is a photographer, the owner of Anderson
Gallery, and a member of the AGAL. She recently moved to Nova Scotia’s
South Shore from Holland after falling in love with the area during
a holi-
day. “If you combine your energies and networks,” she says,“you accom-
plish more than if you work single-handedly.”
Susan Hudson opened Peer Gallery Contemporary Art in Lunenburg
as an artists’ co-operative in January of 2002.The gallery exhibits
the work
of 12 Nova Scotian artists who have established regional and national
rep-
utations. Originally from Montreal, and the gallery’s president, Hudson
has
lived in Lunenburg for the past decade.“I was drawn to the area because
of the sheer beauty of the architecture and the varied landscape,”
she says.
Hudson believes that being part of the AGAL is not only beneficial
for its
members but also for the community.“Artists add to any place they are
part of,” she says.“People come
to see the art, then they visit the restau-
rants and shops, and all of a sudden the place becomes a destination.”
The fact that visitors can stroll from gallery to gallery is a big
advantage,
according to Steven Rhude, a contemporary realist painter whose vivid
work is inspired by marine culture. Rhude is the former president of
the
AGAL and currently the association’s secretary.“The art is concentrated
here,” he says.“It’s unique to be able to walk around a town and visit
this
many galleries on foot.”
The art on display at the various galleries includes original oil and
watercolours, acrylics and drawings, contemporary prints made using
tech-
niques of stone lithography, copper-plate etching and woodcuts, colourful
contemporary pottery, Nova Scotian folk art, and handwoven clothing.
“Artists need inspiration, and Lunenburg is a living centre of cultural
heritage and old-world social values,” says Simpson.“It’s home to the
aes-
thetically inclined, whether you were born here or you’re just visiting.The
art scene here is a manifestation of the feeling that Lunenburg radiates.”