| |
 |
Études et rapports |
|
"Digital downloads helped give a slight lift to total U.S. music sales in 2006, despite the fact that album sales continued to drop."
Auteur(s): CBC Arts | Date publié: 2007-02-06
|
|
"Impressive sales numbers leave Canadian musicians asking: “Why sue our fans?”"
Auteur(s): Canadian Music Creators Coalition | Date publié: 2007-01-30
|
|
"Impressive sales numbers leave Canadian musicians asking: “Why sue our fans?”"
Auteur(s): Canadian Music Creators Coalition | Date publié: 2007-01-30
|
|
"Record labels have become digitally literate companies, selling an estimated US$2 billion worth of music online or through mobile phones in 2006 (trade revenues), almost doubling the market in the last year."
Auteur(s): IFPI | Date publié: 2007-01-17
|
|
"Terry McBride isn't interested in selling CDs despite having some of the world's biggest musicians on his roster."
Auteur(s): Elianna Lev, Canadian Press | Date publié: 2006-11-30
|
|
"With some people calling them the most Internet-savvy band in the world, the Barenaked Ladies are constantly looking for new ways to connect with their fans, and to make being a fan of the band more of an interactive experience than a one-way exchange."
Auteur(s): Geoff Martin, Canada.com | Date publié: 2006-09-22
|
|
"Terry McBride has a maverick approach to music management: Take care of the fans and the bands, and the business will take care of itself."
Auteur(s): Jeff Howe, Wired | Date publié: 2006-09
|
|
"The Canadian music scene has been riding a remarkable wave in recent months, with packed clubs, breakout artists, and international acclaim. While that success has garnered considerable attention, last week a group of well-known Canadian musicians took centre stage for another reason."
Auteur(s): Steven Page, National Post | Date publié: 2006-05-01
|
|
"The iPod branded by Apple is the first cultural consumer icon of the twenty-first century; it represents a perfect marriage between aesthetics and functionality, of sound and touch - the auditory world in the palm of the hand."
Auteur(s): Michael Bull | Date publié: 2006-03
|
|
"The single biggest issue facing the music industry these days is downloading and file-sharing. But consumers – armed with MP3 players, iPods and computers that can copy CDs in a matter of minutes – are being left to make moral decisions because of mixed messages from the people who make and market music."
Auteur(s): John Kennedy, Canada.com | Date publié: 2006
|
|
"The mp3 lies at the center of important debates around intellectual property and file-sharing, but it is also a cultural artifact in its own right."
Auteur(s): Johnathan Sterne, McGill University | Date publié: 2006
|
|
"The recording and movie industry associations zeroed in on Internet2 this week, filing lawsuits against hundreds of students from 18 colleges across the country, alleging they illegally downloaded and swapped music and movie files using the high-speed network."
Auteur(s): InfoWorld | Date publié: 2005-04-14
|
|
« Aujourd'hui, le gouvernement a également déposé sa Réponse au Comité permanent du patrimoine canadien en ce qui a trait à son Rapport intérimaire sur la réforme du droit d'auteur publié en mai 2004. La Réponse renferme la déclaration du gouvernement. »
Auteur(s): Industrie Canada | Date publié: 2005-03-24
|
|
"A report released in London, UK, today indicates a phenomenal surge in the online digital marketplace in Europe and the US. Unfortunately, Canada lags behind other industrialized countries when it comes to the business of online music sales, reports the Canadian Recording Industry Association (CRIA)."
Auteur(s): Canadian Recording Industry Association | Date publié: 2005-01-19
|
|
"Lecturer Dr. Michael Bull is "the world's leading -- perhaps only -- expert on the social impact of personal stereo devices," according to The New York Times. "
Auteur(s): Leander Kahney, Wired | Date publié: 2004-25
|
|
"By nature, musicians are thieves. Nicking a bit of this song and a lick from that one, shaping their style on the riffs of those who came before, musicians are experts in the art of acquisition."
Auteur(s): Thonas Goetz, Wired | Date publié: 2004-11
|
|
"It was only a matter of time for the commencement of litigation some call "Napster: Part 2.""
Auteur(s): internetnews.com | Date publié: 2001-10-03
|
|
In The Digital Dilemma: Intellectual Property in the Information Age p. 76-95
Auteur(s): National Research Council (U.S.A.) | Date publié: 2000
|
| |
Référence générale |
|
IUMA
Créateur(s): Wikipedia | Date publiée: 2007
|
| |
Organisme(s) |
|
« Nous sommes une Alliance canadienne des créateurs de musique en croissance partageant le but commun de faire entendre nos voix en matière des lois et des politiques importantes pour notre subsistance. Nous sommes les personnes mêmes qui créons la musique canadienne. Sans nous, il n’y aurait aucune musique à protéger par les lois sur le droit d’auteur. »
|
Matériel apparenté
|
"Protecting Creativity in Music."
Auteur(s): International Federation of the Phonographic Industry (IFPI) | Date publié: 2007-02-07
|
|
"Record labels have become digitally literate companies, selling an estimated US$2 billion worth of music online or through mobile phones in 2006 (trade revenues), almost doubling the market in the last year."
Auteur(s): International Federation of the Phonographic Industry (IFPI) | Date publié: 2007-01-17
|
|
"This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters."
Auteur(s): Larry LeBlanc | Date publié: 2006-02
|
|
Transformations numérique
Créateur(s): Centre du savoir, Patrimoine canadien | Date publiée: 2007-01-11
|
|
Issues
Créateur(s): Canadian Recording Industry Association | Date publiée: 2006
|
|
«La Clinique d’intérêt public et de politique d’Internet du Canada (CIPPIC) a été mise sur pied à l’automne 2003 à la Section de common law de la Faculté de droit de l’Université d’Ottawa. La CIPPIC cherche à assurer un équilibre entre la politique et la procédure de prise de décision relativement aux questions que soulèvent les nouvelles technologies.»
Créateur(s): Université d'Ottawa | Date publiée: 2004-08-25
|
|
"Creative Commons provides free tools that let authors, scientists, artists, and educators easily mark their creative work with the freedoms they want it to carry. You can use CC to change your copyright terms from "All Rights Reserved" to "Some Rights Reserved.""
|
|
"Representing the recording industry worldwide."
|
|
"The Canadian Recording Industry Association (CRIA) is a non-profit trade organization that was founded in 1964 to represent the interests of Canadian companies that create, manufacture and market sound recordings."
|
|
"The Future of Music Coalition is a not-for-profit collaboration between members of the music, technology, public policy and intellectual property law communities."
|
|
FACTOR, The Foundation to Assist Canadian Talent on Records."
|
|
« La musique représente la bande sonore de notre vie. Les chansons, les chanteurs, les compositeurs et les musiciens englobent nos activités quotidiennes, marquent notre passage de l'enfance à l'âge adulte et nous aident à comprendre l'univers dans lequel nous vivons. »
|
|
|
Version imprimable
