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A Crossroads in the History of the Record Industry
The Apple Revolution
Musical Cyber-Commerce
New Tools of the Trade
Conclusion
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Home Research Themes In Focus

Digital Transformations II:
Toward a New Form of Musical Culture
February 2007

Featured February 2007 through March 2007
  
    
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Table of Contents

Introduction

A Crossroads in the History of the Recording Industry

Toward a New Form of Musical Culture
The Apple Revolution
Musical Cyber-Commerce
New Tools of the Trade

Conclusion

All Resources



Acknowledgements

Feature developed by Dr. Paul Théberge, Canadian Research Chair in Music and Interdisciplinary Studies at Carleton University.

This paper was originally presented by Dr. Paul Théberge, Canadian Research Chair in Music and Interdisciplinary Studies at Carleton University, at the January 11, 2007, In Focus Speakers’ Series Workshop on Digital Transformations.

Dr. Rowland Lorimer, of the Canadian Centre for Studies in Publishing at Simon Fraser University, presented a paper on the book publishing industry at the same workshop. This was published as a companion Digital Transformations In Focus piece.

Special thanks to Lynn Buffone, Senior Policy Analyst for Sound Recording Policy and Programs at the Department of Canadian Heritage, and Pierre Lalonde, Director of Sound Recording Policy and Programs at the Department of Canadian Heritage, for their collaboration in the development of "Digital Transformations: Toward a New Form of Musical Culture."

We gratefully acknowledge the financial support of the Policy Research Group of the Department of Canadian Heritage Planning and Research Branch, which helped make this event possible.

The views and opinions in this paper reflect those of the author and do not necessarily represent the positions of the Department of Canadian Heritage or the Government of Canada.


Introduction

More than any other cultural industry, sound recording has been challenged in recent years by new technologies resulting in economic losses, copyright litigation, and a fundamental break in its control over the distribution of music recordings. At the same time, new technologies have allowed consumers, artists, and entrepreneurial firms to redefine the premises, structures and relationships upon which music culture will be based in the future. Canadian policy makers must find ways to help ensure that Canadian artists and record labels are able to adapt to and profit from these challenges and opportunities.

A Crossroads in the History of the Recording Industry
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ID: 12955 | Date Added: 2007-02-12 | Date Modified: 2007-09-18 Important Notices