He's film royalty, but he comes across as just
an ordinary Joe, MICHAEL POSNER writes. And even at the age of 68,
Michael Caine still gets the girl in his latest movie
Lyu: 'I know that the reviewers, they have their job to do and, obviously, they are absolutely entitled to their own opinion. But it's the audience who decides'
Canadian director Soo Lyu reflects on critical reviews, screening snafus, and what she's learned during her debut at the TIFF for her first feature film, Rub and Tug
At last, your moment with the Great Stellar One has arrived,
RICK GROEN writes. In your need to distinguish yourself from
the pack, you pop a deep question that leads nowhere, fast.
Time's up! What's a scribe to do?
Cul de Sac: A Suburban War Story by filmmaker Garrett Scott examines how a city's descent into obsolescence can affect the minds of those who live there, and drive them to lash out at a system that has abandoned them
Adam Sandler, the comedian critics just love to hate, stands to become their newest darling with his latest film, Paul Thomas Anderson's Punch-Drunk Love
Divine Intervention, from Palestinian director Elia Suleiman, won the jury prize at the Cannes film festival, and continues to raise eyebrows. It's a dark comedy played against the harsh politics of the Mideast that decries the violence that tears apart the region
