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Le Regard, 1995 (The Look)
Gouache on paper
Lent by the artist
(Photo: Harry Foster © Canadian Museum of Civilization Corporation)
" [...] whenever I had time, I found myself visualizing all the scenes of my
native country that I had been able to observe during my childhood. And as
if they were stories, I set about illustrating my memories."
Excerpt from a text by the artist
Of Egyptian origin, Nicolas Zeitouni was born in 1935 in Alexandria. As a child, the ways
and customs of his culture seduced him. He was fascinated by the fishermen dressed in their
traditional costumes, by women adorned with bracelets that tinkled, and by popular festivals.
Highly attracted by the arts, he enrolled in decorative arts at the School of Fine Arts,
received his diploma in 1962, and began to teach visual arts. In 1965, he decided to immigrate
to Canada for a better life. He chose Montreal because it is a city where one can
speak and live in French, and for its richness and its cultural diversity.
![Nicolas Zeitouni with his spouse Marguerite Denhez](/web/20061029120339im_/http://www.civilization.ca/cultur/cespays/images/pay2_25p3.jpg)
Nicolas Zeitouni with his spouse Marguerite Denhez,
Montreal, Quebec, 1999
Camille Zakharia.
Iris digital prints.
Collection of the Canadian Museum of Civilization
The Commission des écoles catholiques de Montréal then hired him, with the
proviso that he study for his teacher's certificate. He received the latter from the Université
du Québec à Montréal in 1972. During the 18 years he occupied this position,
he explored several mediums: ceramics, enamelling, batik and silkscreen printing. From 1977 to
1981, he studied for a Master's degree at Concordia University in the teaching of art, but
reoriented himself towards the creation of jewellery in 1983. He then owned and operated his
own jewellery store for 10 years.
![L'apprentissage (The Apprenticeship)](/web/20061029120339im_/http://www.civilization.ca/cultur/cespays/images/pay2_25p2b.jpg)
L'apprentissage, 1995 (The Apprenticeship)
Gouache and watercolour on paper
Lent by the artist
(Photo: Harry Foster © Canadian Museum of Civilization Corporation)
In 1995, the "storyteller" in him led him to produce a series of miniatures (gouache, ink and
acrylic) originating in his childhood memories: My paintings represent stories and characters
placed outside of time, in an imaginary and fantastic world. To create these paintings, he
borrows from symbolic images (such as the hand of Fatma or the eye) in the folk art of Upper
Egypt. He does this, however, without sacrificing the theme of his work, and by breaking away
from the symmetry traditionally used in decoration. Imbued with sensuality and tenderness, full
of life and warm colours, his works also convey the vision of the East and of Egypt that separation
has allowed him to gain.
Nicolas Zeitouni's work has appeared in many exhibitions in Quebec.
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