Artists
Ambeault
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Dorothy
Bernier
,
Sandra
Bizier
,
Denis
Blouin
,
Denise
Bonga
,
Jan
Brosemer
,
Kathleen
Caldwell
,
Errol
Cheers
,
Pamela
Damus
,
Martin
DesRochers
,
Pierres
Dombrowski
,
Josée
Dombrowski
,
Paule
Dubé
,
Julie
Earl
,
Kathlin
Fanjoy
,
Meagan
Fawcette
,
Guy
Goodine
,
Gretta
Henderson
,
John M
Lacerte
,
Valérie
Laflamme
,
Gaston
Lavallée
,
André
Letourneau
,
John
Lucarotti
,
Susan
Martel
,
Louise
McBain-Hogg
,
Fiona
McGuire
,
Bethany
Monette
,
Danielle
Patterson
,
Joel
Pitt
,
Chris
Primavera
,
Mark
Provost
,
Jocelyne
Quednau
,
Dr Franz Wolfgang
Régnière
,
Jacques
Studens
,
John
Tucker
,
Sandra
van Frankenhuyzen
,
Kees
Varem-Sanders
,
Thierry
Voyer
,
Hugues
Walls
,
Carrie
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Callway Falls
Oil on canvas 36" X 48" December 2002
Thaw of waterfalls in spring
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Sketched transparencies
Sketched transparencies on butternut wood
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Edouard Lacroix
Oil on canvas 36" X 72"
May 2003
An entrepreneurial pioneer of Beauce, Lacroix was elected minister to the Legislative Assembly for the first time in 1925
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Piano
Painted transparencies on wood
The piano of M. Joffre Grondin, St-Georges de Beauce
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Tara blanche
Oil on canvas 24" X 50" September 2003
Buddhist philosophy and portrait of a couple
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Train
Oil on canvas 30" X 50" October 2003
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Biography
In my temporal universe, the present is directly based on the past, allowing the past to emerge visually before the viewer affected by the scenes, scenes defined in an instant of inspiration, but influenced by a sincerely experienced emotion. No sentimentality, but a great sensitivity in pictoral expression.
Grandson of the opera composer J. Ulric Voyer, I was born in St-Romuald, near Quebec, on December 4, 1948. Born into a family of artists and artisans, I have been devoted to art since childhood. I do not identify myself as being representative of any particular artistic school or style. Instead, it is in my environment where I find beautiful images, and in my imagination are visions existing between poetry and reality. A painter in love with detail, I like to transcribe a vision of the past still warmed by the feelings it gave me. In that way, I believe I share certain affinities with some painters from the past.
Like them, I do restoration of paintings and conservation of church frescos. Based on this experience, I developed a painting technique on wood which I perfected by making transparencies on furniture. It was after an exhibit of these pieces of furniture in Drummondville that I discovered a cabinetmakers' professional association, the APEQ (Association professionnelle des ébénistes du Québec). Since then, I made an agreement with the Association to teach this technique known as transparency at the École d'ébénisterie et de métiers d’art Allain Guillion.
I am member of the family of Gilles Bizier, librarian at the Laurentian Forestry Centre. My Internet site can be accessed at www.quebexport.com/devoyer
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